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Conrad Schnitzler - Gr�n + Blau (1981)

vom: 08.06.2023

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248

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07:39:01

Öffentlicher Name:

Mikiko

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[img]links/images/splogo.jpg[/img]

[center][url=https://postimages.org/][img(width=500 height=500)]https://i.postimg.cc/Bv3hyBBz/000.jpg[/img][/url][/center]
Experimental

Conrad "Conny" Schnitzler (  1937 in D�sseldorf; gest. 4. August 2011 in Berlin war ein Musiker und Komponist, der �berwiegend elektronische Musik komponierte.
Schnitzler war Sch�ler des Objekt- und Aktionsk�nstlers Joseph Beuys und besorgte der Gruppe Kraftwerk den ersten Synthesizer.
Im November 1969 gr�ndete Conrad Schnitzler zusammen mit Dieter Moebius und Hans-Joachim Roedelius die Band Kluster. Im Jahre 1970 bildete er zusammen mit Klaus Schulze und Edgar Froese die zweite Formation der Gruppe Tangerine Dream, eingespielt wurde das Album Electronic Meditation.

His groundbreaking series of "color" albums in the early to mid 70s firmly established him, along with Klaus Schulze, as one of the most innovative of Germany's post-Stockhausen electronic composers. Gr�n (Green), recorded in 1975, is a continuation of Schnitzler's color sequence of albums and clearly demonstrates why he is considered one of the supreme masters of contemporary electronic music. The 32-minute "Der Reise und Seine Frau" ("The Voyager and His Wife") really shows just how far ahead of his peers Schnitzler was in the 70s. Firmly anchored by a hypnotic electronic percussion track that modulates dynamically in and out of the mix, Schnitzler adds oddly disturbing low-frequency drones and a simple though mesmerizing main melody line that hovers and weaves its way through the dense mechanized drumming like mercury through concrete. Tribal yet futuristic, "Der Reise" sounds so fresh that you'd swear it was an extended drum 'n' bass track contemporary with Photek or Aphex Twin. "Bis die Blaue Blume Bl�ht" ("Till the Blue Flower Blooms") is wholly synthetic, its polymorphous waves of sound, filtered and processed, colliding like frenzied electrons in a particle accelerator. Even more trance-inducing than "Der Reise" - though with a completely different tone and texture - "Bis die Blaue Blume Bl�ht" spirals through repeated motifs as if it were a piece of self-replicating DNA, almost literally creating a helix of ascending tonality. The overall effect is not unlike a Bach fugue or one of Satie's Gymnopdies, though Schnitzler's technique is less academic and far more organic in design and execution: music for watching extraterrestrial gardens germinate. Because Schnitzler originally intended "Bis die Blaue Blume Bl�ht" to be played at both 33 and 45 rpm on the initial LP release, the 45 version is also included as a bonus track. Gr�n is quite simply an amazing tour-de-force of the possibilities of the architecture of electronic sound and is a must for anyone interested in the development of electronica.

[color=#FF0000]Die Rebellen Haben Sich In Den Bergen Versteckt	18:48
Jupiter	19:32
Der Riese Und Seine Frau - 20:27
Bis Die Blaue Blume Bluht - 20:39
Bis Die Blaue Blume Bl�ht / 45 - 14:08[/color]

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